Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Wednesday, August 29, 2018

DragonCon Schedule!



This is the biggest convention I do all year, and one of the most insane.  I…can’t even measure the excitement / anxiety level right now…

Also, I ought to be in bed because I’ve got a Dark O’Clock flight… soon.

So, REAL QUICK, here are a few places you’ll find me at DragonCon… outside of the Westin bar in the evenings, the Voltaire concert, the Cruxshadows concert… buying band stuff, and possibly stalking some actors from The Expanse. And John Barrowman. Maybe.

If you’re there, hopefully I will see you!

Title: Readings in Honor of Kathryn Fernquist Hinds
Time: Fri 07:00 pm Location: Techwood – Hyatt (Length: 1 Hour)
Description: Writers & friends celebrate the life of author, bard, poet, & teacher Kathryn Hinds with reminiscences & readings from her work.

Title: The Women of Doctor Who
Time: Fri 08:30 pm Location: Galleria 5 – Hilton (Length: 1 Hour)
Description: From companions & villains to directors, writers, & producers (and soon the Doctor herself), women have had a lasting impact on the show over the past 54 years. Their changing roles & indelible footprints will be discussed.

Title: Steampunk/Urban Fantasy/High Fantasy, etc.
Time: Sat 11:30 am Location: Embassy CD – Hyatt (Length: 1 Hour)
Description: Is Steampunk loosing its steam? Is Urban Fantasy on the wane? Does anyone read High Fantasy any more? This panel discusses the many subgenres of SF/F and how to keep readers interested.

Title: 200 Years of Women in SF
Time: Sun 11:30 am Location: Embassy AB – Hyatt (Length: 2 Hours 30 Min)
Description: In 1818, Mary Shelley wrote Frankenstein. Taking that as a starting point, our panelists will discuss women in SF, how they have fared, who they are, and how things have changed over the years. Presented in conjunction with the Diversity in SF track. 90 minutes.

Title: Ursula K. Leguin: Honoring a Grand Master
Time: Sun 05:30 pm Location: International South – Hyatt (Length: 1 Hour)
Description: The field lost a great voice last year when Ursula K. Leguin passed. We will be honoring the author of The Left Hand of Darkness and Wizard of Earthsea (among others) by discussing her work and life.

 
Title: Where Do I Begin?
Time: Sun 07:00 pm Location: Embassy CD – Hyatt (Length: 1 Hour)
Description: You’ve decided to write a novel. Where do you begin? Let our pros tell you how to get started on that novel…and keep going.

Happy Labor Day Weekend!  Happy DragonCon!

Monday, January 7, 2013

Happy 2013!



New year, new goals, positive accomplishments… new try at blogging.  :)

Most everyone in the world is talking about (or has already talked about) their New Year's Resolutions/Goals, etc.  Not to hop on the bandwagon, but it's a fun and inspiring topic… so I'm playing with it, too.

I've already hit a couple of short-term goals this year already:

  • Submitted a novella for publishing
  • Gotten my email inbox to a manageable level (from over 1000 to under 140)
  • Handwritten my publishing deadlines for 2013 for Spencer Hill Press
  • Handwritten a Personal Goals sheet
  • Printed out my detailed deadline for January Spencer Hill Press projects
  • Accomplished editing deadlines thus far

And we're just a week into the new year!

 When I was going through my deadlines and goals, I went back through my prior years' blog posts so I could get an idea of what I'd accomplished and what I could accomplish.  I'd forgotten that I never actually got around to publishing my goals on my blog last year… so I had to go back to my January 2011 posts to get an idea of what I'd been doing.

With the path my life has taken since 2011, most of those benchmarks and steps simply are… no longer useful.

When I sat down to make my plan for this year, I needed a whole new template!

And that's ok.  I'm very happy with where my life is going.

Let's have my accomplishments for 2012 explain why:

Became a Senior Editor at Spencer Hill Press.

I've been blessed in the past decade or so to have jobs and bosses who I have loved. And every move I've made has been an improvement… yet I can't imagine a more healthy and supportive job than working at SHP. 

At Spencer Hill Press, I've had the pleasure of working on many awesome books - which I will detail as they start coming out. :) 

Published Short Stories

"Photo of a Mermaid" came out in UnCONventional by Spencer Hill Press
"Fixed" came out in Corrupts Absolutely? from Damnation Books

Sold Fiction

THE KELPIE - my first novel! - comes out this December from Spencer Hill Press
"Finding Fire" comes out in May in the Holiday Magick anthology, Spencer Hill Press
"Steadfast in the Face of Zombies" to Once Upon an Apocalypse Volume 1 - more on that when I get the info. :)

Lost Ten Pounds

After three years of gain or plateau - that's still an accomplishment.

Rode in my First Competitive Horse Show - and GOT RIBBONS!

Mind you, it's been well over a decade since I practiced any sport competitively.  This was HUGE. :)


… And there were a lot more life changes. 

I traveled to four different countries I'd never been before. And, between those travels, I was without my husband who I've not lived without for over a decade.  In fact, I only lived on my own for three months out of college before we got married… so it was definitely… an experience.  I also got really into my job at Annie's Book Stop of Worcester, helping with event coordination.

I left my last W2 job in May… because things with fiction and freelancing were picking up as well as they were.

And I still held my position as president for Broad Universe - though, honestly, between my Veep, Kimberly Long-Ewing and the rest of the Motherboard, it was a massive team effort for which I'm deeply grateful.

So, that's 2012 for you.  Massive. Change.

From there, I move forward. With a lot of hope and energy for this year. :) 

Thank you, Universe!

Oh?  What are my actual goals for this year? ;) Well… that's another blog post. ;)

Happy New Year!

Monday, January 30, 2012

Broadly Speaking Traverses Through Time!

Broadly Speaking Travels Through Time!

Welcome to the January 2012 edition of Broadly Speaking. According to the Mayan Calender, this year is the year that we run out of time. (Or, more probably, a new cycle begins quite uneventfully.)  But if we can't go Back to the Future in our own version of The Time Machine, we can at least talk about it.

 
Join your host, Tracy S. Morris, for a timely discussion about the adventures of women writing science fiction, fantasy, horror -- and everything in between.
 
Up first, Tracy and Melanie Fletcher discuss the rules that one must decide on before writing about time travel. 
 
Then, listen to a round-table discussion on the various conflicts that are inherent in time travel fiction with Pauline Baird Jones, author of Steamrolled, Kathryn Sullivan, author of Talking to Trees,  S.A. Bolich, author of Firedancer and Lynda Williams, author of the Okal Rei Saga.     
 
We hope that you can make time to listen to this podcast. If not, save it in your player for sometime when you have time on your hands.

Wednesday, January 25, 2012

Calico Contentment


Because horses SO cooperate for cell phone pix.
It's been a long time since I've written about Calico or horses.  How about a Cali post?

Every time I've gone to the barn, it's been a day to celebrate.  Not just because she's a fabulous horse, but for the crazy weather. Calico is a fan of weather.  Well, maybe not rain, but everything else - and every change is something for her to kick her heels up to - quite literally.

S.A. Bolich has been doing a fabulous blog on horses for writers, and I've had several writer-specific entries on horses.  While this entry isn't specifically for educational, it definitely gives some insight to equine thought.

When I'm not riding Calico, we do ground work, and I always start ground work - and often any riding session with anyone but me - with a free lunge. (The horse is in an enclosed area, but not tethered by any lead; the human makes them move with either a lunge whip or a long lead and their body posture.)  My posture is relaxed and all I do is flick my wrists to wave her away from me.  She usually dances off and shakes out a bunch of bucks and hops, breaks into a gallop, does a rollback (like a rear but in motion to change directions) to turn around, hops and does a few laps.  When I see her relax into her usual easy trot, I make her turn around - a good way to get a horse's attention.  From there, we do laps at different speeds with a lot of direction changes (because horses get bored going in the same direction; who wouldn't?).  After that, we work on turning and stretching and standing and, occasionally, tricks - like target practice.  In general, we just have a bunch of fun while getting our exercise in.

Calico is always particularly happy when we can do this in the outdoor ring.

Now, we live in New England, so weather isn't always accommodating, but so long as it's not raining or downright treacherous or at night (my biggest problem - and a winter problem), we go outside.

Last time I was there, we had fresh snow, so Calico was really "feeling her oats."  Lots of zooming around and tossing her heels, and my isn't it fun to do a sliding stop!  (You know that cartoon trope where the character stops so quickly they continue to skid forward and leave marks? Yeah, that's about it - it's actually a reining maneuver in the Western show circuit.)

Today, it was in the 40s.  All the snow on the ground was melted and we had about a quarter inch of grass-clinging mud above the frozen ground. The sliding stop was ESPECIALLY fun.  She dug all sorts of lines in the outdoor pen, turning diagonally to maximize her sliding space.  In fact, she was so pleased with her accomplishment, that during the actual exercise part, when I put out a pole for her to walk over (like an obstacle… it's a pole, flat on the ground, but horses think it's the Horse Eating Pole of Doom! and try to avoid it) she went further down the arena.  I thought she was trying to avoid the Pole of Doom! by getting out of reach, so I moved to head her off - noooo! I hardly started heading in that direction when she decided to take about four steps of a superfast canter and make a sliding stop that ended less than a quarter of an inch from the Pole of Doom!  Her tail was up, her neck was arched (a proud posture - yes, horses do like to show off!) and she looked at me 'cos, "Mom, wasn't that just awesome?!"

I assured her of her awesomeness with a positive compliment, a moment of relaxed posture and breaking eye contact for a moment, then looked back and wiggled the lead rope just a little to make her go forward. 

She looked down at the pole, then at me, cocked her head, "Oh, you still want me to do this?"

Hand and rope flick again. Eye contact.

She sighed, tossed her head, and delicately stepped over it before picking back up her trot.

Yeah, horses have personalities.  And they like having fun as much as any of us.  Haven't you ever done a running slide on a patch of ice or fresh waxed floor, then was all "Yeah, that was most excellent!" when you avoided falling flat on your bum?  (Horses fall on their bums, too, I've seen it… and some do hurt themselves while playing.)

Speaking of hurting themselves, because of the slippery mud, we didn't spend too long outside and I didn't let her get too rambunctious - it isn't terribly hard for a horse to pull a ligament or twist an ankle - just like a person can.  Even when they're just fooling around.

Hope you enjoyed the little Calico fun - and maybe, if you're a writer, you got some ideas about how your equines can show some believable personality.

Monday, October 10, 2011

Look! It's More Bits and Ends


Because, really, my life continues to only give me time in small increments to get stuff accomplished.

News & Writing stuff from Chez Wooldridge:

I'm proofing the galleys from UnCONventional, and they are awesome!  :)  Pre-Order now!    Trust me.

xx

We're gutting and remodeling the downstairs bathrooms.  No, I don't have pictures.  Why?  Because the H-of-A is grumpy and questioned the need for pictures, which was his subtle way of pointing out he didn't want pictures taken.  We've had three generous blood sacrifices during this event, which we hope will appease the gods and faeries and saints of contracting and remodeling… and perhaps even the matrons and patrons of pipe-freezing-prevention for this winter.

This, my friends, is why, while we do not have children, we have well-stocked first-aid cabinet shelves.  (Kits are too small and not comprehensive enough for our creative injuries.)

Anyway, will post pictures when it's done.

Of the bathroom, not the injuries.

In the meantime, today's picture is Nylis hiding from the chaos in the upstairs linen closet.

xx

Got to hang out with more friends that I haven't seen enough of today.  They brought their little girl (and themselves) for some Calico riding and loving.  Good times!

Also, fixed the horsey-withdrawal I was suffering for nearly two weeks being cooped up in the house waiting for people to fix my ability to earn friggen money!

xx

Speaking of horses, a fabulous Broad colleague, Sue Bolich, has started blogging on properly using equines in writing, too.  Check out her two posts here and here.  Very good reading!

xx

I had an extra special fun time covering this year's Rock & Shock in Worcester, so look for the article in Worcester Magazine this week! 

Also, stop by the New England Horror Writers table while you're at the convention! :)

I got to interview the director & producer & one of the actors of Inkubus, which is having a red-carpet premiere at the convention.  Wheee!!

xx

Now I have to go make 1600 words of avocado article sound fabulous.  :) Movie premieres, gutted bathrooms, horses, fiction galleys, and avocados.  Yup--that about sums up my life right now.

Interesting times!

Monday, September 19, 2011

Another "Bits and Ends"

My "New Year" September is really pushing me!

I have about six more Round 2 edits to review for UnCONventional, which should be done Monday.  (Pinky swear, Kate!!)  Also today, I have article calls & emails to make.  I'm doing a comfort food piece and a chef profile for Worcester Magazine due on Friday, I have an avocado article due in two weeks, a yet-unwritten short story that needs to be printed before Friday, edits on "Photo of a Mermaid" due… end of the weekish, and critiques for Traveling Java need to be done before Tuesday.

During the week, I will be traveling every day but Monday.

Oh, and on top of all that, there is another fabulous benefit to the Bay State Equine Rescue happening on Sunday:

Horse of Course Benefit!

It's taking place at Whip-O-Will stables and is one of those "family fun" events where we've got things planned for all ages… even if you're not all that into horses.  Check out the event page!

It's happening from 11AM-4PM this Sunday, September 25th. 

If you live in MA or CT or anywhere driveable, please try to come?  :)  Thank you!

I have this blog written on my to-do lists; let's see if it actually happens for more than this post. ;)

Friday, July 22, 2011

Feminist Friday: Broad Universe Transitions


Here's my Broad Universe story.

I've mentioned the wonderful Broad Universe multiple times on this blog.  In a nutshell, we're an international, feminist, non-profit (501(c)3) organization dedicated to promoting, honoring, and celebrating women who write science fiction, fantasy, and horror.

I got involved through a colleague I met at Dragon*Con sometime in 2003 or after 2004, Katherine Mankiller, who introduced me to the group sometime in either 2005 or 2006.  Finding their goals in line with mine, and having then-recently re-discovered my feminist passion thanks to another brief, but powerful, friendship (she moved; we lost contact), I joined right away.

About that time I was also "discovering" fandom and convention-ness.  I'd been going to Dragon*Con since 2002, but despite being a total, bona fide, D&D-and-Magic-the-Gathering playing, Wizards-of-the-Coast-when-it-was-TSR reading, faery-seeking, science-loving, comics-collecting, honors-course-taking geek girl, I somehow totally missed the convention and fan culture.  Being a member of Broad Universe introduced me to how many local conventions there were to me!

Nancy Jane Moore was in charge of readings at the time, and readings were really only just the Rapid Fire Readings held at a few conventions. (A Rapid Fire Reading is where BU convinces a convention to give us some panel time, and we squeeze as many readers as possible into that panel time, which gives many women a chance to read who wouldn't otherwise be on programming, and also increases our audience ratio because each reader brings a few people; the audience gets a great variety of fast-moving entertainment.)  Between Nancy Jane and president, Phoebe Wray, and a few others I got invited to run the Rapid Fire Reading at Readercon.  (I might have read in an RFR before then, but I'm not entirely sure of that.)  I had plenty of help and coaching, and it was, indeed, an excellent RFR -as most are, particularly at Readercon, where a lot of Broads and friends convene.

Shortly after that, I got introduced to the idea of the Mailing Party, where our discussion list celebrates and pushes members to submit their work - as magazines and publications have often said they don't publish as many women as men because they don't receive as many submissions from women as men.  So, we submit!  Being a submission slacker, myself, I embraced the idea and was easily convinced I should "throw" a mailing party.

After some time of organizing more mailing parties and more readings around the New England Area - and even Balticon and a Worldcon! - Phoebe asked me if I was interested in joining the Motherboard as the new readings person, since Nancy Jane's term was up and she was ready to step down.  I was floored, honored, and humbled to be asked.  It took me a day to consider, but I said "yes!"

And then I really started to party.  >:)

I had ideas, I was self-employed so my time was flexible, I was doing what I loved (and still am), and I still am a truly insane over-achiever.  I always have been. 

I started making lists of conventions people brought up and pushing members who were attending to create Broad events, like more Rapid Fire Readings.  Our then-treasurer, Grace O'Malley, pointed out that only a small percentage of our members attended conventions, so we needed to do more things to serve those who didn't attend conventions.  We came up with the idea for podcasts, and I flew with that (and as much as I love doing them, I'm happy to hand over the reins for 2012 to the most excellent Justine Graykin and Tracy S. Morris, who, among several supporters, gave me the help I needed to accomplish something I knew nothing about.)  Readings got expanded to readings and events - at conventions and at local venues… and well, things continue to happen with more and more awesome volunteers stepping up to continue the group's growth.

Phoebe Wray, after 7 years of being a phenomenal president, was ready to step down and put her efforts into other places for the organization.  She announced this over a year ago just to the Motherboard, and we were at a loss, because, really, there is no one like Phoebe with her energy, kindness, wisdom, and just stunning presence. 

Earlier this spring, in a tiny and terrified voice, I chatted with Morven Westfield, who, other than Phoebe, had been on the board longer than I, and then to Phoebe, that maybe, if they thought I could handle it and if they thought it would be a good idea or if they thought I was totally crazy, unprepared, or whatnot… what did they think if, maybe, I stepped up to the role?

Both Morven and Phoebe thought it was a good idea, and that I was ready, and that they thought I was a good choice.

I started making plans… we would need a new Readings & Events coordinator, and I really couldn't expect anyone to be as masochistic as I was in regards to all my side projects, so I started working on my delegation and volunteer-requesting skills, and then, in May, still in a tiny and terrified voice, I asked the rest of the board what they thought about me stepping up to the position.  Upon the rest of the board's approval, I moved forward with working on more transitions and planning.

Finally, this past Wednesday night, we had The Vote and Changes Happened. 

Phoebe could step down and free up some time and energy to spend on the wonderful pet projects she had going on the side.  I am in the process of freeing up my pet projects (though, more are on the horizon), and am stepping up… not entirely cured of feeling tiny and a little terrified, but getting better.  On top of that, we have another strong and fabulous member and volunteer, Kimberly Long-Ewing, who is taking over the Readings & Events coordinator - now with an excellent assistant, April Grey!

On my to-do list is to make a formal press release about these changes, but I wanted to get down a little of the personal side for the blog.  Broad Universe has been, and continues to be, one of the best resources I could imagine that has helped me achieve my own dream of being a writer.  I have at least two short stories being published in 2012, possibly more, I've finished three novels, submitted more writing, built more confidence than I could have imagined, and met some of the most wonderful people who have become friends and colleagues - because I'm part of the organization.

That feeling of being tiny and terrified comes from a deep hope that I can return even a part of what everyone in Broad Universe has given to me, so far. 

Not just because I'm president now, but because I believe in what Broad Universe does, I want to finish up this post with an invitation to my readers who aren't yet members… Even if you're not writers, even if you write outside of the science fiction, fantasy or horror genres, consider joining because in being a member, you're helping some amazing people achieve their dreams.  And if you are a writer, genre or otherwise, I believe you'll be surprised at how Broad Universe can help you.

Thank you!


Thursday, June 30, 2011

The Obligatory Writers Block Post


Every author everywhere gets the question, "What do you do about writers block?"

At the event last Wednesday, it was one of the first few questions presented to Neil Gaiman, who has answered this question multiple times already if you've ready any interviews with him.

The crux of the message is that "Writers Block" is a made up ailment by a super-creative group of people who are suffering the same apathy anyone else does of just not wanting to work at the moment.  Engineers, doctors, plumbers, secretaries all have days when they are in a funk and are not as productive as they usually are; they don't decide to take time off due to engineer-block, doctor-block, etc.  Writers are clever folk who decided they get to say this.

That’s not to say writers don't get stuck or bored with a project.  The point is that Writers Block is no excuse to stop working.  Someone in any other career will feel bored or stuck, too, but they have to show up and force themselves to perform.  Period.

If writing is your job, you do it.  If you’ve been writing for a while, you probably have several projects you could be working on if you are stuck on something.  If what you're stuck on isn't on immediate deadline, great! Work on something else.  Don’t spend hours on an online game or in front of TV.  Write.  Something.

If you are stuck on what's deadline, congratulations, you're working like everyone else in the world. :)  You have to plough through and force words on the page.  And then edit them.

As Gaiman also pointed out, when he looks back on a finished manuscript, he knows he had days where the words flowed like magic from his fingers and he knows he had days where he fought to get 100 words on a page, but he cannot tell which was which.

Over the past few weeks, I've had a number of projects that needed to get finished.  I was working on my short story for UnCONventional, and found myself at a stuck point.  I knew there had to be a face-off between the protags and the antags, and I knew who would win, but I wasn't entirely sure how.  Fortunately, I had plenty of other deadlines, and some new characters for a story I may or may not write (It depends how long they stick around in my head) distracted me in my "down" time of laundry and dishes.  Spending a few days not thinking of my issue, but working on other stuff that was due and letting my imagination just wander, was exactly what I needed.  The "fix" came to me in one of those almost-awake dreams that I could still remember – the ones that arrive between smacks of the snooze button.

Now, if I had to, I probably could have just buckled down and written through it – but it would have taken more words and edits.  It still would have gotten done. 

The lesson?  Start work ahead of time so you have room to play with when you get stuck.  Have multiple projects you can work on to give stories a rest.  Never, ever give up and give into the myth of Writers Block as an excuse to not write. 

Just write.

Monday, June 20, 2011

Writergirl, Writergirl, How does your Garden Grow…


Overgrown and unsupervised,
Mr. Charles Darwin they all know.

'Cos I rarely weed, or clean or plant
I don't even have to sow.

I've got work to do, plants must be stubborn to survive
'Cos more deadlines come when others go.

Ok, I totally lost the meter there, but you get the idea.  We've got a small-average size house on 3/4 of an acre of land surrounded by woods.  I have a few beds I do at least keep an eye on.


My Fairy Garden


The Falling Steps

The Secret Stairway


The Roses

Currently, only the Fairy Garden is weeded/cleaned.  That's where most of my herbs grow: mint, sage, lavender.  And it has a little angel.  Oh, and it's pretty small.  The Falling Steps are smaller, but I don't know what all everything is.

My excuse about The Roses is that there is a big table in my way.  And that pretty wine-red one is probably a bush older than me, so I just let her do her thing.  Scott finally got me trellises a few years back.

The Secret Stairway is cool, but there's this funky plant that sorta-kinda looks like Queen Anne's Lace but isn't that always overgrows it faster than anything.  (Even worse than mint!)

Gardening gets done under these conditions: It's nice out (not too hot, not too cold), Scott is doing something outside with me, and/or I've done so much desk work that I need physical labor to balance my energy. (AKA - I just need to KILL THINGS and weeds are a perfectly acceptable subject of my violent tendencies.)

Since I have a horse and, therefore, a positive outlet for physical energy, Saturday, mid-June, was the first time since about April or so that my gardens have received any energy beyond the passing thought of "Yeah, I oughta do that… ooh - shiny deadline!"

Gardening is good for the soul and generally leads to other creative endeavors: A crapload of mint?  Mojitos, tabouleh (with mint), curry lamb meatballs (with mint), and mint chutney (which, for reference, uses way more mint than pesto uses basil).  If not cooking, I make flower arrangements and put them all over the house (usually to the annoyance of Scott because I forget he actually needs to see the television regularly.)

It's good to exercise my other creative tendencies.  I didn't paint or draw in Myrtle Beach; I wrote… a lot.  So, my mind needs other non-writing projects to balance out all I'm doing now.  Which feels like it's going slow until I actually pile it all up.

I might do that for you for Writerly Wednesday.  ;)  Assuming I'm not fighting to meet another deadline.

Which I might be.

Yeah… with a few exceptions, my plants are in the hands of Darwin this year; if they live until next year, we can talk again.

Wish us luck!

Wednesday, May 11, 2011

Horses for Fantasy Writers II: Oh, the Pain!


A few episodes back in the HBO version of A Game of Thrones, there was a brief scene of Daenerys getting off her first long ride on a horse.  Her three servants had to help her down and all but carry her to her tent.  Scott turned to me and smirked.  "You know that feeling, huh?"

Oooooh yes!

Strangely enough, not many new writers do.

The truth: Riding a horse is hard work!

I ride 1-2 times a week and I've worked my stamina up to a little over an hour in the saddle.  Still, if I'm doing a lot of trotting or climbing hills, I'm reaching for ibuprofen the next day.  And, usually, I'm wobbly for a good 10-15 minutes after dismounting.

Because, you don't just sit on a horse.  If you did that, you'd fall off.  Or hurt yourself, or hurt your horse… which brings us back to you eventually leaving your saddle unintentionally.

With a saddle

Your feet go in the stirrups with the ball of your foot on the stirrup, but your heels actually hold your weight and balance.  That means your calves are getting a good stretch.  You stabilize yourself with your knees, especially if you're leaning forward while going up a hill or holding yourself up for a trot.  Every muscle around your thigh should also be helping you keep your balance.  Your glutes and abs adjust to maintain your center of balance. If you've got a particularly spirited or stubborn horse, your arms and wrists are getting one helluva workout while steering and turning.  If you're stressed, your neck and shoulders are going to tense and ache.  (While that's not good riding, it's a common occurrence.)  Now, if you're female and not wearing proper support… which, per most fantasy cover art seems to be pretty common, your whole chest is just burning in pain, and that affects your pecs, shoulders, neck, and back.  If you're a male and you're not sitting properly, using your thigh muscles and glutes to protect your manhood, well, you're in a whole lot of other hurt.

Anyone learning to ride should expect a lot of pain in the legs and abs from working them.  Also, anyone learning to ride ought to expect a lot of pain from strains and poor posture (that we hope, eventually, gets fixed.)

A saddle better distributes weight through the lower body and, if well made, helps ease muscle strain.  It can also offer a certain amount of psychological support since new riders are often scared to actually grip a horse's mane no matter how many times they're told it doesn't hurt the horse.

Saddles also offer some extra potential injuries.  If you get thrown or fall and can't get your foot out of the stirrup, you get dragged and/or kicked.  Saddles can slide - forwards, backwards, and side to side.  This will scare a horse and totally mess with your own balance.  Imagine your horse breaking into a canter and - oops! - you didn't tighten your girth enough (another newbie mistake) and the saddle, with you in it, floops right to your poor horses belly!


Without a Saddle

So, your character hops on a horse without a saddle.  He or she better have especially strong thighs or it's take-off and hard landing time.  All the grip has to be in the thighs and core muscles to stay on, even at a walk.  You feel every move of the horse, every turn, and there's nothing for you to brace against, like stirrups, when the horse changes gears - either faster or slower.  Balance is key. 

On top of that, it can be more painful for the horse because there's nothing distributing the character's weight over a larger area.  The pressure is right on the spine, so it's more work for the horse to keep her balance and move.  A horse laden with armor and a heavy saddle can be better balanced with a heavy rider than a somewhat heavy rider - especially a newbie who may not have his or her balance, so is bouncing on the spine - going bareback.


The Inevitable Stomp and Fall

Starting on the ground:  It is an Indisputable Truth that if you spend copious amounts of time around horses, you WILL get stepped on.  On purpose, accidentally… but likely both.

I've lost count of times I've been stepped on.  In those times, I can honestly say the best foot protection is modern hiking boots with a reinforced - but NOT metal - toe.  Or, of course, proper riding boots with reinforced toes. 

A note on that metal bit… if you've got a knight in full mail with metal boots of some sort… a stomp on that metal will actually do more damage.  Why?  The metal will dent, if not bend or split, to the hoof, and it can cut off circulation to the toes.  Unless someone actually cuts away that metal bit very quickly, your character is in deep manure.  I've heard of many horror stories of steel-toe boots leading to lost toes or substantial foot and nerve injuries.

Well-made leather boots are your character's best safety measure on the stomping, but it will happen, and your character will likely limp for a few hours if it was an accident, a day or so if it was on purpose.

The second Indisputable Truth about horses is that you WILL fall off.  Master horsemen and horsewomen fall off.  In fact, they've lost track of when they lost count of how many falls they've taken.

A fall off a horse is close to the equivalent of a low-to-mid-speed car accident.  Actually being thrown from a royally pissed off horse can be as much damage as a car accident at 50-70 miles per hour.

And if you're writing high fantasy, unless you're in armor of some sort, remove all those fun safety measures that cars have.

Assume there is a certain degree of whiplash and at least a bruised rib or two, if not a cracked rib or two.  If your character's not wearing a helmet, there's potential for a concussion - or at least a good hard goose-egg and some dizzy vision.  There's a high possibility of bruised hip-bones, sprained or strained ankles and/or wrists.  We're not even getting into broken bones, or worse, broken backs/necks or immediate death from head injuries

The funny thing about most horse fall injuries, though?  Unless they are serious, you don't feel the pain of them right away.  That's why most people can get right back on a horse after a fall… you miss the part where they can hardly get out of bed the very next day.  As soon as the body realizes it's falling or is getting thrown, adrenaline rushes in and masks the pain.  Also, once you realize you can stand and aren't actually dead or have a major broken bone (if you're lucky), there's also a huge feeling of relief and euphoria - I just survived that!


When you're planning to have characters ride horses, be prepared for the pain if you want to be realistic.  While a fall or an injury - or even general wear and tear - might be a bit inconvenient to your Save-the-World plot, it makes for good character development and can be used as a good plot device when you need a character to be a bit weaker.

Happy Riding & Writing!

Thursday, May 5, 2011

Unexpected Reading Suggestion


Anyone writing science fiction or fantasy ought to have a subscription to Backpacker magazine.

What do current outdoors tips have to do with what's usually in a fictional far past or far future, you ask?  Well, strangely, a whole lot.

For you High Fantasy Writers

Ok, it also goes for you contemporary fantasy writers, too… but that should be an easy match.  Now, you folks who are penning a quest of  3-7 heroes camping and traveling to save the world from Evil Antagonist of Doom, know that you won't have Gore-tex ® and LED flashlights.  However, the many benefits of wool clothes or socks would still be related.  You  also ought to know how and when to make tourniquets, treat hypothermia, whether or not you can really suck venom out of a snake bite, proper rope tying techniques, and a safe guess of how long each character can safely hike carrying the proper equipment. (We're not getting into horses; that's another post.)

All of that info was just in this past month's magazine.  It was really cool!


For you Urban Fantasy Writers or Steampunk Writers

If you've got characters surviving on gritty, grimy streets - whether they are now or some version of Victoriana, they still have to survive.  Knowing how to tie knots and scale vertical surfaces comes in handy.  So does basic first aid, scavenging food, and, if you're of the ilk where werewolves roam the streets, surviving a wild animal attack.  Means to avoid hypothermia are also important, as are dealing with dehydration, cleaning water supplies, and how many things you can use a knife for might also come in handy in street smarts.

Steampunk writers might also pick a Wild West setting, which would definitely require outdoor survival skills.  And those explorers - wherever they are bound in their airships - ought to know how to properly pack their bags so they don't throw their backs out and can maximize their limited space.


For you Apocalyptic or Post-Apocalyptic Writers

Life as we know has been destroyed, and your characters have to survive in harsh climates.  Do I really need to elaborate?  Yes, I've seen tips in Backpacker about dealing with heavy metal contamination and even possible radiation. 


For you Space Opera or Space Cowboy Writers

Like any of the other spec-fic genres I've mentioned: first aid, survival in alien/harsh terrain, proper packing and loading, use of knives (primitive or laser knives), possible animal attacks are all potentially important.  On top of that, take a look at some of the current gear we have!  From Arctic sleeping bags that can fit in a pocket to footwear designed to support and protect feet without giving up benefit of toes, there's some pretty nifty stuff out there now - just extrapolate the coolness for the future.


Besides all that, just flipping through the pages and reading others' stories on camping adventures, or kick-ass jobs (this past issue), or hunting for the first time gives me a lot of new ideas for wonderful ordeals to put my characters through!  (Let me tell you how they cringe at headlines starting with "Survive" and ending with an exclamation point.)

Now, I'm not affiliated with the magazine in any way, and it's Scott's subscription.  My actual hiking happens maybe 3 times a year, max.  I'm just suggesting this bit of research and reading as a fellow writer.  Go have an adventure!  (At least on paper… I don't want to hear how YOU had to get rescued in a few issues!)

* Photo by Scott Wooldridge: Compass at Wachusett Mountain.

Monday, May 2, 2011

On Turning 33…


The majority of my birthday was spent between a writing conference and bed, sleeping - or trying to.

You see, I was up early (for me) at around 6:30-7:00 AM. to go to the Women's Words conference at WPI on Saturday.  I managed, while at the conference, to not entirely appear plagued, fall into coughing fits, and even not cough over any of the other poor human beings in my vicinity.  In fact, I even managed to not exceed my tissue quota.

My presentation was at the end, and I still managed to be coherent, if not mostly well-spoken!

Once I made it back home, my body said, "That's it.  You had your conference!  I'm throwing in the towel."

And did it.

I spent the next three or four hours between fits of coughing, chills and sleep.  Around 8 or 9 PM I dragged my sorry butt out of bed because I was hungry.  I hopped online, utterly confused as to why I had well over 200 new messages.

Oh - it was still my birthday.

There's nothing like a couple hundred well wishers to scare away germs!  Most were Facebook wall posts, some were personal emails, some were on other social networking thingies that I use.  I pulled myself together to enjoy the delicious dinner Scott cooked and catch up on the rest of the week's television - including the latest Doctor Who.  Score for positive thoughts!

Of course, most people posted earlier, so I'm crediting my good show at the writer's conference to all those wonderful friends and colleagues of mine who sent me well wishes.  The Universe concentrated them into the time I needed them most.

It was an excellent conference.  All of the presenters were great, and I was very happy to moderate the last panel on getting published, where we tried, in the small space of 90 minutes, to give everyone a 101 Intro course on the business of publishing: differences, some pros and cons for indie publishing vs. small press publishing vs. "traditional" publishing; professional groups (Yay Broad Universe - here, take a pamphlet!); query letters and nonfiction proposals; copyright fears - justified and not-so-much (No you cannot copyright ideas; no, a publishing house isn't going to hand your idea to another writer; yes, when you publish on your blog it's publishing and someone can just steal it); and way more than I can possibly remember right now.  Afterword, I chatted the pros and cons of fan fic with some sisterly geeks.  And during lunch, children's author April Jones Prince and I sat with some college students and discussed more genre stuff as well as informal publishing stories.  I am truly glad I managed to stave off illness for this conference, and I truly hope my constant hand-cleaning prevented me from afflicting any of the wonderful folks with the current plague.

For pretty much all my life, I've been sick on my birthday.  I think I've managed a few years where I've managed to only be afflicted by controlled allergies… and spring sickness has come back with a vengeance.  Regardless, it was a good birthday overall - because I say so and I feel so. 

Thank you everyone for all the happy energy!  I'm plowing forward and feeling better today than I did on Sunday… which, for the sake of happiness, we won't discuss.  I had a happy birthday!

Wednesday, April 13, 2011

A Wolf on My Blog: An Interview with Joyce Chng


As the readings & events coordinator with Broad Universe, I get to meet some of the most interesting sister writers!  One of them is the beautifully talented Joyce Chng, who recently released her novel A Wolf at the Door this month.  I'm honored that she took the time to give me an interview.

Born in Singapore but a global citizen, Joyce Chng writes mainly science fiction (SFF) and YA fiction. She likes steampunk and tales of transformation/transfiguration. Her fiction has appeared in Crossed Genres, Semaphore Magazine, Bards and Sages Quarterly and Everyday Fiction. Joyce also has a crowdfunded web novella entitled “Oysters, Pearls and Magic”.

Tell us a little about yourself, Joyce.  How did you get into writing, particularly fantasy?  And why werewolves?

I am Singaporean-Chinese, love gardening, the medieval longsword and reading. And of course, writing.

I got into writing after reading. *laughs* I read a lot when I was a kid growing up - mostly science fiction and fantasy. Asimov, McCaffrey, Heinlein, Herbert - to name a few. Around my early teens, I came to the conclusion that I liked to write.

Werewolves are a particular interest for me, since I like to examine the concept of transformation and transfiguration, the body and the animal. At the same time, I love wolves.

Tell us a little about your novel, Wolf at the Door.  What can we expect from it as readers?

The novel takes place in Singapore with the main character being one of the Lang (Mandarin Chinese for 'wolf'). Basically, wolves trying to co-exist with the other non-human races as well as the ordinary 'normal' human beings. Expect a fair bit of the Lang's culture, Singaporean lingo, the wolf's hunt and a look at sibling rivalry. How many of us have harmonious relationships with our siblings?

Which character from your novel did you love writing the most, and why?  Who was the hardest to write?

 Jan Xu, the main character! She is a mother, wife and daughter, something I definitely relate to. Like me, she have to balance a plethora of obligations.

The hardest to write is Kiat. He's a Lung (Mandarin Chinese for 'dragon'), and he strikes me as enigmatic. Kinda like "still rivers run deep." Hardest and also enjoyable to write. I learn so much when my characters grow.
 
What are some of the unique things your experiences in Singapore bring to the book?  What can readers look forward to in the setting?

Chinese culture and festivals. Food is tied in with culture. The Seventh Month or what we call "Ghost Month."  The idea of a really cosmopolitan city, diverse and complicated with different layers.

Are there werewolf legends specific to Singapore that we can look forward to discovering?  What are some of the cultural differences that motivate your characters?

Surprisingly, there aren't any werewolf legends specific to Singapore. Instead, we have were-tigers! *chuckle* The closest we have - Chinese-wise - is the fox spirits.

Family and the bonds of family/clan underlie Jan Xu's motivations and actions. She loves her family/pack and wants to protect it. The idea of respecting our elders - wolves too look after their old.

 
What's a question you haven't been asked by an interviewer that you wish was asked?  And what would the answer be?

"Are some of the scenes real or based on real events?"
"What do you think?"
 
How can we find out more about you and your writing?  How can we purchase Wolf at the Door

I maintain a writery blog at awolfstale.wordpress.com.

Wolf at the Door can be purchased at my publisher's:
http://www.lyricalpress.com/store/index.php?main_page=product_info&products_id=308

What else can we read from you?

I write speculative fiction and YA (or a combination of the two). Free downloads can be found at Smashwords:
https://www.smashwords.com/profile/view/jolantru

I have two stories (a novel and a novella) up on Amazon Kindle as well:

Thank you, once again, for the interview, Joyce!
No problem and thank you as well! :)

Tuesday, April 5, 2011

It's already Tuesday…


… my Manic Monday blog post got eaten by the mania.

A bunch of deadlines this week, team reviews (late), and taxes.

Tomorrow I have a riding lesson in between all the writing.  :)  It's good to get outside, at least, and spend time with my horse. 

Yesterday, (and most of the weekend), we celebrated the Husband-of-Awesome's birthday.  Without him, I wouldn't be half the writer and businesswoman that I am.  I call him Husband-of-Awesome for a reason, and that should be sufficient explanation for why I gave him the weekend.

So, forgive the missing blog post.  I need some sleep so I can work more.

Gifts of time-machines can be sent to my address. 

Wednesday, March 23, 2011

Writing and Tarot


I'll be presenting this workshop on Friday at 5PM at Smith College's Conbust.  Here's a taste of what I've got planned:
 
Introduction

The Tarot deck is a tool to help people understand their relationship to the universe, the world around them.  It gives a visual presentation of our motives, goals, conflicts, actions and reactions.  This makes it an excellent tool for writing.

When I do a full Celtic Cross reading spread, I read it as a map, a lesson.  What's the point of telling someone "This is going to happen" without arming them to prepare for whatever "This" is?  For me, a full reading spread addresses a conflict of the questioner, how this conflict has come about, how the questioner perceives the conflict as compared to how it may actually be, where the actions are leading, what to do to maintain or change the result, what is motivating the questioner, and an underlying consideration the questioner probably doesn't realize is in effect.

Doing a full tarot spread for the main conflict of a novel or short story can help a writer in outlining or dealing with a sticking point.



A Secret for Anyone about Tarot

Most readers I know, and the best I've learned from, have all instilled me with one "secret" that everyone should know.  This secret is why almost all the readings I do now are from people I've read for before.

Each card's meaning comes from you.

When you look at the written or given meaning in a Tarot primer, it's based on a collective experience and wisdom.  People are drawn to different decks, which when you look at the mini-booklets, vary in card meaning, because that culture and that experience which went into the deck design speaks to them.  Tarot readers study these things, but we also know that humans and culture are ever evolving and changing, that every individual strays from the collective, and that every individual assigns meaning to symbols just a little differently.

People who define themselves as writers instinctively and inherently tap into this collective wisdom: what motivates, inspires, drives, and affects people.  We are also masters of metaphor, symbolism, and hidden meaning  Writers observe people and life, and they often notice what your regular person misses and create meaning in our minds; meaning creates story.

Therefore, a writer using the Tarot need not ever look at a Tarot book or take a divination class to utilize the deck as a tool in their writing arsenal. 

If, as a writer, you choose a deck that "speaks" to you, it's automatically aligned with your sense of the world.  The frequently used symbols will speak to you, and you'll find new ones that match you perfectly.  You'll take that collective meaning used to create the card and make it your own. 

The Knight of Wands Example (will be a handout in actual class)

And sometimes the situation will change that meaning; as a writer, you know this, too.  How many of us have had characters go and do something utterly stupid or brilliant - but entirely unexpected -  when presented with an extreme or unusual situation?  How many real people have we seen do this, too?


The Power of a Single Card

The exercise we're doing for this workshop utilizes a single card. 

A reader can answer a question with a single card.  It's a "spread" that works for a simple question or issue or as a way to start the day with a directed meditation.  For writers, it can be a great jumping block for brainstorming or working out writer's block.

This exercise forces the writer to depend on his/her subconscious and reevaluate the meaning and expectations s/he may have for the situation.

  • Pull a single card from the deck.
  • If you do read Tarot, do not try and read the card.  If you don't normally read Tarot, you're better prepared for this exercise.
  • Look at the picture and its components for one full minute.  (I'll time you here; set a timer at home.)
  • Flip the card over or return it to the deck and shuffle it in.  Resist the urge to look at it!
  • Write for two full minutes everything you remember from the picture on the card on a sheet of paper.
  • On a second (and third, fourth, fifth, etc.) piece of paper, using only what you wrote on the first paper, construct a story or path for your character to take.  (For the workshop, I'll give you 2 more minutes; at home, take as long as you want/need/can.)

Bonus Step:
  • Collaborate with one or more partners and put your stories together.  (For the workshop, I'll give you 3 minutes to do this).

I'm a big fan of collaboration because it's good for any writer to be forced from her/his head at least as an exercise.  It also prepares the writer for a relationship with an editor and offers a fresh perspective on any situation.  Even if collaboration isn't a writers regular modus operandi, it's worth trying as an exercise every once in a while.

Related Reference: Ruth & Wald Amberstone's Tarot Tips.  Exercise based on similar one for readers.


Summary

Hopefully this inspires you to explore your writing in a new direction and introduces you to a tool you'll find helpful at any stage of your writing, from brainstorming to composing to editing.  The secret to using the Tarot is to trust in your own instincts, understanding of persons and culture, and signification of meaning.  If you need a trick to keep yourself from forcing meaning upon a card, break it down to the pieces that stick out in your mind and read based on those pieces, not the card itself.  This will give you a truer reading for the situation.

To make the most of this tool, I do suggest finding a deck that features persons or personified beings (like dragons, mythical beasts, cats/cat people).  This will give you a "character" for each card.  The more vivid the pictures, also, the more you will get from each card - especially for non-readers.

* I'm also including a Tarot reference sheet and an exercise for a 3-card spread.

Found this interesting?  Let me know.  Have any tips on using the Tarot for writing?  Add to the comments.

 
A Novel Friend © 2008 by para Você | Re-design Sweet Baby Girl