Showing posts with label cool writing projects. Show all posts
Showing posts with label cool writing projects. Show all posts

Tuesday, February 7, 2012

Corrupts Absolutely?


I'm in another anthology coming out this March!

The call came through last year, and I'd been moved to write the story for some time.  I kept re-emailing myself the call for submissions because I was so intrigued with the idea:

A superhero anthology playing with the extent of how much power would corrupt your average, real person.

I didn't get a full idea until the editor added an extra wish list:

Female writers and protagonists
Non-meta* individuals who are just super smart or technologically enhanced
Teams or siblings

And a few other things, but those three clicked a switch in my brain, and Victoria jumped into my head and started complaining about her boss at this engineering firm who treated her like crap and had grand delusions of being the next Tony Stark.  Ok… maybe the boss wasn't that delusional, he really was building a massive weapon war suit thing.

Thing is, while her a-hole boss may not have any superpowers, Victoria does: She can make technology bend to her will.

To find out what happens, you absolutely need to order this book! 

If not for me, there are some other great writers - including at least two other fabulous Broads that I know.

I also have to say, that I'm liking the editor's marketing plans for this anthology.  He's already working on promotional blog posts, we've got the cover (see the pretty picture), and we've gotten a lot of other emails with ways that we, the contributors, can help.

As I've progressed in my writing, I'm learning how much I love anthologies.  Not many pay well, but I do love having physical books - and the themes totally get my creative juices flowing.

Besides Corrupts Absolutely?  I'm working on two other stories for two other anthologies.  I'm not accepted in either yet, but I'm writing!

On top of that, Christy and I have reunited yet again. :D  Yaayy!! For those of you who are Shadow Guard Fans, keep an eye out for some Super Special Updates!!!!

Happy Writing!

*meta - a common word for "mutant" or someone with special powers.

Thursday, February 2, 2012

My blogging plan…


It's not working so well. 

Well, there's a post here when it ought to be scheduled, more times than not… but I'm barely hanging on, and there's been a lot of borrowing from other sources - look, the podcast!  Look - a cute cat!

I have a lot to say; I have articles in my head.

I have no time…

Little things around the house, reworking my whole schedule, fitting in this exercise and eating protocol… total time eaters.

I may end up just posting a photo of my houseguests on Friday.

Also - people near Worcester - sign up for the Writing Workshop I'm doing with two great friends this Saturday.  Today is your LAST DAY to do it. :)  Here's the info on how to register.

Part of the blog-eater is this workshop - so I'm sacrificing for you!

:)  Happy mid-week.

Wednesday, April 6, 2011

Writerly Wednesday: Fiction!


As I mentioned Monday night, this is a crazy week for me.  I did not get the spreadsheet of taxes done that I needed to get done tonight last night.  And, well, a lot of stuff still needs to be got done.

So!

How about some fiction?  You've heard me talk about Kelpie, how about a taste?  It's a rough draft, so it will change, so I'm not particularly worried about having published this tidbit on the Internet because it will be different from the end product.

It's near the beginning, but the opening is weak.  What you need to know (and what I need to rewrite) is that the narrator, 11-year-old Heather, is riding the family Shire stud, Opulent Majesty, with her best friend (and a prince of England) 12-year-old Joseph.  They snuck away from his bodyguards and are set on investigating the disappearance of some children at the loch abutting the family property.  Having watched enough TV (telly) and read enough books, they are quite sure they'll find some grand clue that the trained professionals missed.  They're right - but in the worst way possible!

            Beneath us, Oppie, full name Opulent Majesty, gave a little hop and a shake.  I gripped his mane, and Joe gripped me, breathing word I knew was a curse in Arabic.  It was a long fall from a 20-hand horse.
            "We're almost to the loch," he said.  "Let's walk."
            "Ok." 
            I let him slide down first, then followed. 
            Oppie pranced nervously, something I'd never seen him do, and curled his lips back, scenting the air.  It should have been a hint, but I didn't listen.  Instead, I wrapped his lead rope around a lower hanging bough so he wouldn't leave us.  We weren't planning to be long, but I made sure to clip it under his chin rather than to the training rings in case we were a few minutes and he kept up with his freaky behavior.  I didn't want to hurt the poor horse.
            We'd ridden to the loch via the route that actually had some trees, and we could see the glimmering water up ahead.  It was only a few steps to the edge of the treeline.
            "What's the plan?" Joe asked, heading towards the loch.
            "Look for clues to find the kids who went missing that the fuzz missed, figure out where they are, and be heroes."
Joe put a hand on my shoulder and stopped walking.  "You hear that?"
            "What?" I asked, smirking at the cliché.
            "Yuh… exactly," he frowned, clearly not intending any cliché.  I listened, and it was dead quiet.  No birds, nothing.  Except for Oppie's nervous stomping behind us.
            Then a soft slosh of water, as if someone were just getting out from a swim.  I looked at Joe, then jogged around the hillock that blocked part of my view.  Then froze.
            It smelled of low tide and sea beds and dead things, which was far too strong for this partial-salt loch.  Rings rippled out from a bunch of seaweed moving towards the shore.  It slipped from the water, stepping up, revealing the weed-covered body of a horse.
            Not quite a horse.  The nightmare of a horse.  It curled its lips back, flushing as stallions do.  Beneath the greenish black lips were sharp, wolfish teeth.  Not the teeth of the gentle herbivores. 
            Its eyes reflected – or glowed – red in the sun.
            "Heather…?" Joe's voice trembled, and he took my arm, pulling me back towards the trees.
            Behind us, Oppie screamed.  There was a crack like thunder, and the ground quaked from hoofbeats.  As he galloped towards us, his head was pulled down from the bough that dragged behind him, tangled in the lead rope.
            His baritone scream echoed again, and he stopped just behind us.  He lowered his head, arching his back almost like a stalking cat.  Nostril's flared, he wove towards us, neck extended like a snake crawling through grass.  His posture sent shivers up my spine.  Where was that sweet horse I knew?  Despite being the only stallion, no horse on our property was more gentle!  And now I was terrified of him.
            A grunt and growl behind us yanked our attention to the other… creature.  A kelpie.  It matched Oppie's posture and was twice as terrifying with its hellish appearance. 
            The two circled around us.
            The water horse charged first.
            Joe yanked me out of the way, and we both fell to the ground.
            The ground quaked with 2500 kilos of furious stallion hoofbeats.  Oppie's black dinner plate hoof planted only a breath from our faces.  We both choked gasps.  Lily, my sister, had received a Reserve rank in dressage with our beast-sized stallion.  Knowing how well he could do precision footwork didn't matter.
            Not when he faced off against the seaweed black monstrosity that emerged from the loch.
            Where my parents and Joseph's parents – the crowned prince and princess of England, making it a royal decree - told us not to go.
            The kelpie reared.  Opulent Majesty, my family's shire stallion, towered over us like a guardian monster.  Protecting the stupid human youths of his herd.  The limb – not a branch - I'd thrown his lead around because he'd danced nervously around the tree line kept him from reaching the apex of his rear, but didn't lessen the terrifying effect.
            Oppie, himself, hadn't even wanted to come.
            Prince Joseph and I just wanted to explore, maybe embody those twelve-year-old sleuths in Mum's books that were old books when Mum was my age.
            It was my idea.
            God, I was stupid, and it'd be my fault if we died right here.
            The kelpie lunged.  Defying physics, Oppie twisted and hammered his back legs into the charging kelpie that was about the size of Mom's Percheron cross.  The kick pounded the kelpie to the ground where it threw up dirt, flailing its own massive hooves feathered with water weed fetlocks.  Momentum flew the broken limb.  It landed on the ground, digging in, wedging beneath a rock.  The shire lunged at the fallen water horse, but the pinned limb anchored him.  His baritone scream rang sick in my stomach.
            I crawled towards the limb and rock.
            "Heather! What are you doing?" Joseph hissed at me, following.
            "He's stuck," I said.  I was the idiot who'd wrapped the lead line that ended up tangled.  I yanked the knife from my work boot and sawed at the lead rope.  Oppie bounced a few times, posturing as the kelpie got back to its feet.  It circled, tail up, snorting.  It wasn't going to back off.
            Oppie's dark eye flicked towards me, even as his attention never left the water horse.  He snorted, arching his neck, puffing his chest and flicking his tail.  He stomped closer to the kelpie as the my knife cut through the lead.  The stallion jumped forward the moment I severed the last threads. 
            I tumbled back as Oppie went on the offensive.  The kelpie reared, turning, but not losing ground, still blocking our way from the woods we'd come from.  Oppie didn't charge; he stayed near Joseph and me, blocking the water horse from us.  Both equines, mortal and fae, paced and sized each other up.
            Oppie's push left us room to get to our feet without eight oversized hooves dancing around us.  Though Joseph was on his feet first, I followed too soon for him to even offer a hand.
            "Now what?" he asked, eyes glued on Oppie and the kelpie.
            "I… don't know."
            The kelpie charged again.  I could see it favoring the hip that Oppie had kicked, and it was furious.  Its eyes glowed orange red, flickering like flames and the afternoon sun gave the slick black coat a slimy green sheen.  Nostrils flared steam, and its long muzzle pointed more than any horse breed I knew. 
            Freed from the limb, Oppie hopped to the side of the oncoming charge and pulled himself up to his full height at a rear, beating towards the kelpie's skull.  His white fetlocks fluttered like avenging angel wings so high Joseph and I had to strain to see, even as we backed further away.  The kelpie veered away and tried to circle around.
It shifted its fiery gaze from Oppie to us and sneered, revealing carnivorous, blood-rust teeth stained green at the gums.  The shire landed, turned tightly and pushed back at the faerie.
"Trees!" I pointed.  Joseph nodded.  We darted that direction.  The kelpie was faster.  In a rollback so fluid it'd make any of my riding team – even my sister - green with envy, the water horse changed direction, striking its front hooves at Oppie.  As athletic as we'd trained the shire, he couldn't move the mass of his body out of the way fast enough.  Blood dripped across his silver chest.  The kelpie charged us.
I don't know which of us changed direction first, but Joseph and I turned towards the water.
Oppie's deep scream and the thunder of his gallop stopped us.  Without looking, I could feel the pressure of his approach and shoved Prince Joe to the side – and back on the ground.  The shire jumped over us, fetlocks fluttering war feathers flying above our prone bodies.  His landing resonated deep into our guts as he grunted several times.  The kelpie screeched back.  It must've moved faster than either of us saw because now it faced off with Oppie, hind legs in the brackish water it called home.  As if drawing strength from its source, the kelpie reared again, shaking blood and salt water from itself, then leaping with unnatural grace and strength to the other side of us before Oppie, huffing and limping, could intercept it.
We were between the horses again.
The kelpie came at us in a direction that pushed us towards the water again.
"Don't touch the water," Prince Joe said.
"No, really?" I growled.  He glared at me.  Both of us searched for the opening as the stallions attacked again.  "Maybe the bank?"  I gestured with my chin to where a grassy hill crested into an embankment above the a thin line of beach where the water lapped hungrily.
Joseph nodded.  "We can cut towards the woods in two different directions there."
The path took us dangerously close to the fighting horses, but I could see Oppie's dark eyes flashing every so often.  He knew where we were.
We were his herd; he'd protect us.  
We edged toward the bank, then darted as Oppie rushed the kelpie again.  I winced seeing how much of his blue-grey chest and shoulder was red with blood.  The water sparkled, so pretty in the afternoon sun, below us.  Joseph took my hand and ran towards the trees along the embankment.  They were still close to the water, some with roots hanging like skeletal fingers or worms reaching for the sometimes fresher water that depended on the tide.
They offered cover, though, and we could stay within them towards home.  And any other path would require us to dodge fighting horses.
At the very least, we were still smaller than the kelpie, and once we were clear, Oppie could retreat.  He'd find us.
The kelpie was having none of it.  Was the fae more sentient than our draft?  Psychic?  It galloped back from the shire, then turned to cut us off. 
Oppie pounded to our rescue.
When the shire was only a meter or so from us, the kelpie changed direction.  Oppie turned.  We could feel the heat from his body radiating.  The ground crumbled beneath his back hooves.  Beneath us.
We all fell beneath the shifting earth.  Somehow neither me nor Joe were hit with flailing hoof.  For a brief moment, I felt every molecule of breath squeezed out of my body by sticky horse.  I don't know what part of Oppie it was or how I wasn't killed or crushed, but I lay frozen as water pasted sand around me.  I couldn't even gasp.
"Heather!"  Joe was beside me, his normally dark face like a ghost.  "Heather? God, Heather!"
A wave broke over us, drenching, but Joseph stayed close, kneeling in shifting sand even as he lifted an arm to protect his face.  I heard the splashes and horse screams as if they were down a tunnel or through static spewing headphones.
"Heather!"
Joe had a hand under my neck and side and the world tipped over.  I sucked in air that burned my throat like razors and salt.  Then I coughed out red blood and sickly green water.
Loch weed tangled around my wrists and knees. 
"Come on, Heather!"  I felt Joseph pulling me up.  I broke away from the weeds, snapping them as more seemed to find whatever part of me touched the water.  My now soaked and muddied braids flogged my back.  We staggered backwards towards where the collapsed hill offered dry land.  I saw even more weeds climbing and tangling around Joe's legs.  He fell.
            "Ow, shite!" he cursed, trying to pull himself up.  "Damned rocks!"  I gave him my hand and tried to yank him to his feet, but water surged and more weeds grappled at him.  Blood stained down the leg of his jeans and he grimaced in pain.
            "Priiiiiiiiiiiiinnnnzzz."  The kelpie stopped and looked right at us, mouth agape and nostrils flared.  It's fiery eyes seemed to glow even brighter.  Oppie was fighting the weeds tangling his legs.  The kelpie took a step towards us, head lowered, smiling wickedly, predator teeth bared.  "Yourr bllood.  Ssmells.  Ssoooooo Goo-"
            One thrash.  One splash.  Oppie's rear legs connected with the kelpie's jaw.  Another tearing splash and the shire was mostly free, jumping and battering the downed kelpie further into the now cloudy red and black water. 
            "Come on!  Move it!  Move!"  Joe and I commanded each other, pulling each from the now retreating weeds onto dry ground.
            We managed one breath in and one out before Oppie galloped towards us.  He stopped, hooves right beside our feet, and snorted angrily, brown eyes bugging and staring at the churning water.  I gave Joe a leg up onto the shire's ginormous back and let him heft me up.  His face strained in pain as he tried to grip the broad back with his injured leg while balancing my weight as I used his boot and Oppie's mane to pull myself up – as if I were scaling a mountainside.
            I heard the kelpie scream from the water.  I heard more splashing.
            I was barely seated when Oppie took off.  I was gripping his mane and the remainder of the lead rope while Joseph gripped my middle.  We clung for dear life, and it was only the strength of our utter terror that let us hold on as we flew into the trees and away from the monster.

Hope you enjoyed it!  :)  Comments welcome.

Monday, March 7, 2011

What's going on THIS Manic Month



I managed to send updates to the Broad Universe web maven.  Just… not my own.

So, hopefully, most of you will catch this. :)


Conventions & Appearances

End of the Month: I'm at Conbust! 

I just got my schedule, and there will be a Writing & Tarot course on Friday, along with a Broad Universe RFR and a faerie panel and a children's fairy tales panel and… more stuff that's in my 169-email inbox.  I'll post the full schedule soon!

In the mean time, save the dates for Conbust:  March 25-27.

Also, because I'm working on it, I'll be running a party, a Rapid Fire Reading, and an info + sorta-kinda book sale table at Wiscon over Memorial Day Weekend.  And, likely, paneling my heart out. :) 


Kelpie Updates

March is also my deadline for having Kelpie done for beta readers.  The next scene is one I am just dying to write, but I've got a few more obligations to do before I can reward myself with speculative fiction noveling. 

I DID finish the scenes for each of my respective writing groups, though.  :)  I have to say, thanks to my fabulous writing groups, MAKING Kelpie beta-reader-ready will be much easier.

I <3 you guys & gals!


Work

I'm starting a new set of mini-reviews for Worcester Magazine.  This time: Pizza joints.

I really need to add the Wii workouts back into my schedule… in addition to making use of the indoor ring where I'm now boarding Calico.  And my asthma inhaler.  [adjusts geek glasses]

Also, I have another trade food article to do.  This one is on merchandising fresh herbs in supermarkets.  :)  It sounds like fun… onto phone calls tomorrow!


And More Work

I'm still working on Big Editing Project with the NDS.  :)


Short Story Calling

I found a potential market for E-Hell.  I just need to add about 1200 more words.  Adding words… last time I did that for a market, I sold my piece.  It was "Mirror of Hearts" to Fantasy Gazetteer. 

Wish me luck!

Because I'm nice, here's that Open Call.

Also, UnCONventional, the anthology I'm editing with Kate Kaynak for Spencer Hill Press is looking for submissions through June 1st.  It's March now… so keep on sending!


Help Appreciated

I still have that other story toying in my mind for another anthology.  Someone get me a TARDIS?  I'd even go for one sans David Tennant, as he'd just be a distraction from everything I gotta do!

That said, if you're a member of Broad Universe and reading this.  I just posted for an assistant Readings & Events Coordinator.  In fact, the few of us who do a whole lot of work for the organization are getting a bit threadbare, so, if you check out our volunteer page, you would be our angels - and help other women get the publication and publicity they deserve!


Horsey News of Awesomeness

In case you missed my announcement (and somewhat snarky opinion of a certain Facebook game), I am Riding for the Ribbon with Calico! 

My goal is to raise $300 for the Susan G. Komen for the Cure ® Foundation by riding my horse for some 9+ miles over Felton Field in Barre, MA.



Winning Food!

The Husband-of-Awesome won the local Chili Throwdown at our favorite Deli.  :)  I came in 2nd Place, tying with a Caribbean chili.  Voters were in a somewhat tropical mood, I guess… no surprise with the winter we've had!

Some quick corrections, my Hawaiian chili meat was all pork based, not beef.  Guess what my Foodie Friday post is going to be?  ;)  Hope you like it Hot!


More Webby Stuff

After this week, I'm thinking of leaving LiveJournal for good.  Besides the aggravating ads, I get daily spam in the archive comments.  Oh, and the formatting continues to be a *itch.

If any of you have any objections or reasons for me to stay, speak now… on LJ.  If all I've got is spam this week, I'm done.  I think there's a way to just broadcast and allow no comments… if you have advice on that, too, feel free to tell me.

I also do have a WordPress account.  The more I hear about it, the more I really want to use it.  In my "copious amounts of time," I will try to set that up to match my colors and such once more. 

If you hear screams of frustrated Internet anguish from Central, MA… yeah, that's me.


In the mean time, if you don't hear anything from me, the pile of papers on my desk has collapsed and I may be suffocating.  Send help.

Friday, February 25, 2011

Fiction and Faerie Friday


What is a Kelpie?

"The classic water horse in Celtic, and especially Scottish, tradition.  The Kelpie haunted rivers rather than lochs or the sea.  When a storm was due, the Kelpie could sometimes be heard howling and wailing. […] [H]is most usual shape was that of a young horse and in common with others of his kind his favourite trick was to lure travelers onto his back and then rush with them into a deep pool, where he struck the water with his tail, causing a sound like thunder, and then vanished in a flash of light.  He was also suspected of sometimes tearing people to pieces and devouring them."

"The best-known of the Scottish WATER-HORSES.  […] haunted rivers rather than lochs or the sea.  He could assume human form […]  His most usual shape was that of a young horse.  He played the ordinary BOGY OR BOGEY-BEAST trick of alluring travellers onto his back and rushing with them into a deep pool [ibid…].  He was suspected of sometimes tearing people to pieces and devouring them."
- Katharine Briggs, An Encyclopedia of Fairies.

"Scotland also has its water-spirit, called Kelpie, who in some respects corresponds with the Neck of the northern nations.  'Every lake,' says Graham [footnotes omitted], 'has its Kelpie, or Water-horse, often seen by the shepherd, as he sat in a summer's evening upon the brow of a rock, dashing along the surface of the deep, or browsing on the pasture-ground upon its verge.  Often did this malignant genius of the waters allure women and children to his subaquaeus haunts, there to be immediately devoured.  Often did he also swell the torrent or lake beyond its usual limits, to overwhelm the hapless traveller in the flood."

"… and the mischievous water-Kelpie also appears in his equine form, and seeks to decoy unwary persons to mount him, that he may plunge with his rider into the neighbouring loch or river."

Most people, when I tell them about my Work in Progress (WIP) ask what a kelpie is.  Here are some good answers I've drawn from.  There is also an entry in Wikipedia with info that I've used to help develop my Big Bad.  Elizabeth Bear also had a great kelpie character in her Whiskey and Water novel.

There was a cute movie called The Water Horse, which I know exists but I'm ignoring because my kelpie is not kid friendly. 

He's pretty damned terrifying.

And really, he should be.

First of all, horses are Big Freaking Animals.  I adore them, but I've been physically hurt by them more than by any other animal - including humans.  And most of that was just them screwing around and not meaning to hurt me.

I've been in front of a rear twice in my life - an intentional show of force.

I all but needed to change my pants.  It's scary!

Now, regular horses are prey-animals, prefer (usually) flight to fight, and eat grains.

Make one of those half-ton-and-up beasts a predator with a taste for little children?  And sentient?

F#*king horrific.

If you haven't seen the video of my horse, Calico, playing with her paddock mates, check this out… then imagine if they weren't playing. 

Oh, and they were dripping wet with weeds in their hair and fiery red eyes and wolf-like teeth?

And an aside regarding my last post on the magic of writing?  There's a prehistoric hoofed predator that's like a cross between a horse and a wolf. Oh, and the skull was found in a dried up riverbed.  So there!  Kelpie have prehistoric proof!

I'm so pleased with my Kelpie antagonist, who refuses to tell me his name so far because he's just like that, and I'm coming upon the Final Battle.  So, all I want to do is get there and write it.

So, this is all you get for my blog post.  Go look up Kelpies - and try not to have nightmares!

Wednesday, February 23, 2011

Magic Engaged


Especially among fantasy and science fiction writers, there's this phenomenon where we're tuned into… something… that's at least a little magic.

I'm not even talking about that "zone" we get in during writing, or how we can manipulate words to make pretty or powerful sentences.  Or even Terry Brooks' great little book Sometimes the Magic Works.

The magic I'm talking about is the stuff that makes us sit up in our chairs and look over our shoulder to catch a glimpse of that spectral being that must have been whispering in our ear when we put down something for the hell of it, when we make a guess about how something ought to work, when an idea in our heads just got real, y'all!

I've had more than a few of these instances with the current MacArthur kelpie novel I'm writing, but they're not the first for me.

Chris and I both plot similarly (at least, we do when we write together).  We go with our guts for as long as we can until we want to or need to include some details, then we research.  More often than not, especially thanks to things like Google Maps, we have found that the scene we pictured, the props we need for our characters, exist in real life. 

And we have a Keanu moment of "Whoa!"

Neither Chris nor I have ever been to the UK, but a lot of our stories happen there.  We set some scenes in Cardiff, Wales and found out that the timing we need for travel, the areas for buildings, all are right where we need them - and not necessarily based on the set pieces for Doctor Who or Torchwood, either.  Long before that, when we were writing scenes for our Shadow Guard game and stories, we found equally perfect locations in California (where neither of us had visited) and Maine (where I've been, but not where we set the story.)

For the MacArthur kelpie story, the closest I've been to Scotland are the Glasgow Lands in Northampton, MA (where we went to go see the most excellent Scottish-Canadian band Enter the Haggis).  One of my friends has Scottish lineage and his mother has a double citizenship, but I haven't done much brain picking. 

A few months ago, my writing group called attention to the fact it was time that my castle needed a firmer foundation than the mists of my mind, so I went to my friends' studio (where some truly magical research has happened on a few occasions), and spent 12+ hours of researching Scottish castles and geography.

Lo and behold, not only were a lot of the ideas in my head that I worried were a little crazy actually true, but I found actual floor-plans that I could modify with not a whole lot of work.  On top of that, and what really blew my mind, is that the location I needed to set my castle actually existed and, on top of that, housed remains of another castle as part of a nature reserve (did I mention that some major plot elements required that the story's castle abut a nature reserve?)

Scary enough, but then I started working on characters' birthdays.  Throwing aside the whole supposedly new crap about the astrological calendar, I've found that using the existing zodiac calendar has never led me wrong with character traits and that when I pull birthdays from my head for characters, they are usually spot on to their zodiac signs.  Now, the family story for the MacArthurs is complex enough without me adding in all my paranormal and faerie stuff, so figuring out when the heck every one of the kids and parents had to be born (and when they met, started dating/had sex/married) was another 12-hour day at my friends' studio.  But, like a perfect puzzle, the dates fit in and the characters were born in the zodiac signs that best fit their personalities.

Then, as if I needed some icing on my cupcakes that I now had and was eating, too (metaphorically), I decided to look up the history of the actual clan MacArthur (Clan Arthur) in hopes I wouldn't be offending actual people who were proud of their heritage by throwing in missing family lines and faerie contracts.  Well, come to find out, while one of the oldest clans in Scotland (and one that suffered a lot historically, particularly with relations in Britain… which I knew, in my head, the fictional family line had also done), there was a long time where they could not find the clan chief and the family tree was a little hard to follow. 

So, Michael's storyline could very well work in real life, too.

I'm not the only one that this happens to, either!  In a Clarion blog earlier this month, the author made a fantastic plant entry in the style of Darwin, and while the author, Eric Schaller, did a ton of research, he still notes a "happy coincidence" about Alfred Wallace having also gone to Madagascar as Darwin did, as well as the serendipity of pirates having also gone to Madagascar (both points in his fictional plant entry.)

Speaking more rationally, most writers are avid readers and researchers.  Of course, it's possible we could come across various bits of information earlier that our minds file away for later use and, beyond our conscious perception, become seeds and fertilizer laid down even before a story takes root.  I've been to more than a few Celtic faires, Glasgow Games, and similar events on US soil.  About 10 years ago, I was looking through old maps of Britain, Scotland, Ireland, and Wales for an entirely different novel.  I love British media.  I did some minor league stalking of David Tennant (Scottish) while he held the crown of Doctor Number 10.  Yes, I might have come across this information before, or at least had enough background knowledge to create plausible circumstances.

But I write fantasy.  Contemporary fantasy in particular.  I look for magic in the mundane.

Of course I'm going to find it.

Monday, January 3, 2011

Happy New Year! Part 1


It's that time again… time for me to look at what I've completed in 2010, and plan 2011 accordingly!  :) 

The New Moon falls on Tuesday, so I will do my Fire Ritual then.  (And post about it on Wednesday for those unfamiliar with it. :) )

I'm also going to change up my New Year's post a bit and break it into three parts, because the 2000+ words I've done in one post for the past two years: a bit long for a blog.

And, if you've been reading my blog for some time, you know I'm constantly trying to better organize things.  And breaking this down = better organization.

2009-2010 Compare and Contrast; 2010 Accomplishments

Fiction

Short Stuff

Submissions:   25, which is better than 2009's 24 (and 2008's 18)
Acceptances:  1
Completed Written:  1 (not as good as 2009's 4)
Incomplete:  1 (Confession: 2 of 2009's five have been given up, 1 finished, 1 turned into a novel.)

Novels

Completed:  1  Until an agent or editor says otherwise, A Silent Starsong is done
Actively in Progress:  4 - Kelpie, Algorithm, Aurelio and Shepherd's Blood (with Christy)
Revisions: 1 (also A Silent Starsong)
Queries: 13 - I didn't actually give a # for 2009 or 2008, but I know this is better.
Partial Requests: 2
Live Pitches: 0 - no difference from 2009

Thoughts: I don't like how I was tracking progress in the earlier annual tallies, and I'm not sure I'm satisfied with this. 

I started Kelpie (the short story that turned novel) this year and am about 2/3 done with it.  Algorithm for a Soul has been an ongoing writing project for me for about 3 years now.  I love the story, but keep getting distracted from it.  With Shepherd's Blood, it got dropped mostly because Christy and I had one of our falling-out-of-contact periods.  Aurelio is a script for a graphic novel/comic book.  I may change my 2011 annual tally up to better reflect that, but for now, I'm counting it with the novels.  Now, those are the four novels I have been actively working on in 2010. 

The problem (sorta-kinda problem) is that I have multiple unfinished projects.  There's the completed-but-seriously-needing-edits Yesterday's Shadows that Chris and I finished in 2009 and didn't even touch in 2010.  And there are about 6-10 other novel projects that I have notes for on my computer.  Some have several chapters already done!  They get thought about with certain regularity, but I've tried to stay focused in 2010 on the stuff that I felt I could finish… which, sadly, only ended up being one thing.  As I plan for 2011, I need to keep this in mind so that I stay realistic.


Poetry

(I took crappy notes last year, so here's fresh ones.)

Written:  5
Submissions: 7
Acceptances: 1 (not paid)
Chapbooks sold:  er… yeah, about 12?  I think/hope? Bad Trish for not keeping records!
Performances: 3 (one in front of ROGUE FROM THE CRUXSHADOWS!!)

Thoughts:  I know this isn't any major moneymaker, but it's part of me.  I have more plans in the works for my poetry.  What I find hard is that I hate token pay, which is what most poetry submissions are.  That said, I think I might just settle for some token pay so that I can get more of my work out there.


Non-Fiction

Total written, paid articles:  53 - Crap, that's a little over half of last year.  Blech!
Total pro-bono: I just know this is a few, too.  Mostly all for Bay State Equine Rescue.
Essays written: 2
Essays sold: 0
Misc.: Some minor hourly work for existing employers.


Editing (for others):

1 Academic chapter
1 novel
2 web page copy pieces


Tutoring:

I love my tutoring job, but there's really not a lot to report besides that I do my job, and I like to think I do it well.  I'll write more of a blog post on it later this year, but for now, I'll just give it the credit it's due as my dependable income that I love, constantly learn from, and strive to better myself with.


Other Business & Life Accomplishments:


I got a pointed question, last year, from my accountant about books sold.  I will get it again this year if I don't hurry up and do a tally.  I just have not done it yet. 

Conventions

Attended:  7 - one less than last year, but with finances, that is perfectly fine.
Attended as guest/participant (besides RFRs):  5 - again, lower number than last year, but one less convention I spent $ at.
Attended as dealer/volunteer:  7 - see, I worked at every single one even if I wasn't on the roster
Parties: 
This needs an explanation line.  I helped with the Bad-Ass Faeries 3 release party by sending Danielle macaroons, but I had to attend Wiscon that weekend as a member of the Broad Universe Motherboard.  That said, I also threw a most excellent party at Wiscon.  The Dealer's room at Arisia was basically a party and possibly one of the most profitable BU sales events of the year.

Broad Universe

This was my first full year on the Motherboard of Broad Universe, and this accomplishment deserves a reasonable explanation.  A year after being asked to be part of the motherboard, I am still deeply honored by this responsibility and I've dedicated a lot of time and effort to this organization because I so strongly believe in our mission of promoting, honoring, and celebrating the women of speculative fiction. 

In this position, the two biggest accomplishments I've had have been giving us a stronger presence at conventions through readings and events and creating our podcast, the Broad Pod, so that women all over the world can have their voices heard.  Closely related to that, I've helped with several other non-convention events, assisted with the redesign of our website, and helped us promote and appreciate members through advertising.

Most of this was started in 2009, but 2010 saw it all come to fruition.  I hadn't even included any of this in my 2010 New Year's blog post; I had no idea how big these endeavors would be. 

I love it when things grow beyond your wildest dreams!

Calico Silver

A summary of 2010 would not be complete without, perhaps, the biggest life change I've had in a while.  I adopted Calico Silver.

While I've had animals for more than half my life who I have loved - and still love - dearly, a horse is hardly comparable in cost in responsibility.  I had never dreamed this would actually happen to me, but it did, and though I still am worried about costs, I could not be happier I made this decision. 


Husband-of-Awesome

And finally, perhaps the greatest accomplishment that 2010 marks is my 10th anniversary to Scott.  I would not be where I am now - citing all of these lovely accomplishments, moving forward from what I did not accomplish - without his constant love and support. 

And he's still wicked cute.


With the added explanation and reorganization, this post is almost as long as the compiled ones of prior years!

That's ok.  It's more functional.  As much as I share this openly in hopes of helping others with their writing careers and planning, this is also for me.  It's my accountability plan, my business research, and my goal setting exercise.

I just hope y'all enjoy it and join me for the following installments!

Happy New Year!

Wednesday, December 8, 2010

Planning a Castle, and Magic in Scotland


Or, Why Research in Novels is Cool!

Most of Friday was spent on the Interwebz and in Scotland (via said Interwebz). 

My good friend, Renée, was kind enough to let me abuse her paper and ink supply as I looked up various historic castles, their stories, their blueprints, and the areas in Scotland where they were. With large stack of castle research in hand, I set about plotting the castle that Heather and the MacArthur family live in - the 2nd part of my homework from my "Fabu" (thanks for the word, Suzanne!) writing group, Traveling Java.

Plotting a useable castle is freaking hard!!

(Planning a starship is harder, but that's a different novel.)

In any case, like with all of my details, I want it to be believable, which means that the castle must be structurally sound and things like secret passages need to make sense with the blueprint.  That also means that the walls and rooms need to be well-planned so as they aren't suspiciously wide between rooms.

Oh, and on top of that, if it's been modernized with additions (as the MacArthur castle has), you need to actually get to the additions and move around… so at some point, doors need to be made in places that make sense for doors to be (i.e. not at major supports and not through extra-reinforced walls… and certainly not through already-built-in towers with stairs planned for the original levels and dimensions.) 

Everyone needs a place to sleep and live, too… don't forget the live-in staff!  They kinda need to be near heat sources and close enough to the remodeled and renovated parts so that they don't feel like their living in the Middle Ages.  Not if you're writing a contemporary fantasy, anyway.

In figuring all this out, I worked one pencil's eraser down to the nub and made my way 3/4 of the way through another poor pencil's eraser.  I have three completed floors and one partial of the sub-floor, which includes how the secret passages all connect… and I probably still need to do a roof view.

Of course, the changes affect the story, too.  Just like the Character Bible revealed a lot about my characters that I hadn't realized, the map did the same.  There are definitely some scenes I must fix to reflect the layout (particularly one with running down stairs where the room from which the character is running is now on the first floor), but as I continue on the draft, more scenes are a whole lot easier to write.

Besides just plotting out the MacArthur castle, I mapped out where it would be located in the novel's Scotland.  This was a particularly magical task.  After a few novels in the UK under my belt that make liberal use of Google Maps (HOW did writers survive before Google?  Really?!), I have a rough geographical idea in my head about Wales, England, and Scotland (And Ireland).  In the mists of my mind, I figured the castle would be about an hour's drive east of Edinburgh, and I wanted it on the shore… with cliff trails (Thanks, Backpacker magazine!) and maybe about 35-40 minutes from a small village - but not a major city or town.  It also abuts a nature preserve between the castle and the village.

Well, there just happens to be such a perfect location in Scotland!  EXACTLY how I want it!  Down to the village and driving times (per Google Maps' driving directions) and the cliff walk (a tourist attraction of the village I found that matches my novel village).  So, I just plopped my castle and saltwater loch in the middle of Real-World existing farmland (or so it appears on the satellite images). 

In any case, I'm unbelievably happy with the results of this exercise, and absolutely appreciate how well my new writers group pushes me! 

Yay, research & writing groups!

Thursday, December 2, 2010

The MacArthur Name Bible


A few of us New England Broads and our friends who write speculative fiction recently created a local writer's group that covers us non-Boston writers.  We call ourselves Traveling Java, and I'm loving the chemistry we have.

Most of us are submitting ongoing stories for critique, with some breaks for short fiction.  My homework for this next meeting (besides continuing my writing and changes) was to put together two things:  A cheat-sheet of the massive character list and a map of the castle the protagonist lives in.

Last night I took care of the first assignment.  (Friday, while at the artistic haven of my friends in CT, I'll take care of the map part.)

In any case, just writing a very brief paragraph for each character (single spaced) took me about 6 hours of work and left me with an 8-page document.

Wheeeeww!

I'm extremely pleased with my efforts, though.

The 6 hours and 8 pages were well spent for a number of reasons:

I hammered out clearer motivations for side-characters and side-motivations for main characters.  For example, I didn't realize how much Rowan disliked his next older sister, Lily, until that appeared in his mini-bio.  It's not even that Lily is a drama-queen-to-the-max that Rowan doesn't get; it's the fact that Heather, the sibling he's closest with, spends more time with Lily than him.

I got all the character names straight.  You have no idea how many little symbols I'd spread throughout the MSIP (manuscript in progress) for the characters I knew, but had forgotten the names of.  Or who I'd misnamed or given the wrong nickname to.  Yes, these are all people in my head, but don't you even get your family and friends mixed up sometimes?

I realized deeper meanings to some of the "throwaway" lines in dialogue that will have repercussions later.  I'm about 2/3 through the ms now, and Heather - or Monkey, the talking cat - will throw out some line that I know needs to be there, but I don't know why.  I don't do any major deletes on the drafting just for this reason… I get so much now!

I straightened out those pesky details.  The twins realllly don't have eyes that change color, I just can never remember what it's supposed to be.  Now, I can check.

I realized animals are almost as much a pain in novels as in role-playing games.  They all have names and personalities and they need to get fed and they need special food.  From a writing perspective, they need to keep popping up, like what dog wouldn't go investigate kids sneaking through the house after everyone's in bed?  And you need to give that popping up a purpose.  I mean, I could cut a bunch of them, but Heather told me they all are there, and sometimes it's just not worth arguing with your main character!

xx

Those are only a few of the things I learned in the exercise.  Besides just doing the exercise, I think the timing is key.  At a little over halfway through the rough draft, I know how most of the plot will work itself out.  (Here's hoping that keeping all her animals prevents my dear protagonist from throwing in an unexpected monkey wrench somewhere).  Anyway, that also means that I know all the characters that will be on screen or mentioned (again, fingers crossed for no surprises).  But, as I discover more of my characters' inner workings, I have time to adjust the conclusion and make it stronger.

If I recall correctly, this is also about the time I sat down and worked out much of my "bible" for Kyra Starbard's world, 2/3 of the way through draft 1.  It gave me renewed focus and I ploughed through to the end.

Which, if I also recall correctly, was actually the end of the sequel that I thought was all part of the same book.  So, ahem, when Kyra's picked up by an agent and then a publishing house, the sequel is already drafted.  Yay less work later!

In any case, if you haven't done it already, have some fun making at least your character bible.  You'll be surprised how much it helps you create a better draft and drive you to the finish!

Thursday, November 18, 2010

More on Riding & Writing…


Have you ever had that feeling that a certain purchase will leave you with buyers remorse?  Particularly an expensive one?

I was so happy that ended up NOT the case after the Equine Affaire this weekend!

I like big butts and I cannot lie... and pretty braids
Have you heard of Monty Roberts?  If not, the shortest, quickest introduction is he is the trainer who the movie, The Horse Whisperer, is based on.  Among the horse-training community - particularly those of us who believe in non-violent training - he is a legend!

The 75-year-old legend (Yes, he's 75 and still working with horses, frequently dangerous horses) was at this year's Equine Affaire.  After seeing his amazing clinic, I, along with a few hundred others, flocked to his booth to buy the combination set of stuff that his publicist walked out between horses to remind him to promote.

I planned to buy a bunch of stuff for Calico at the EA:  A saddle, a better lead rope, a bit, an extra long lunge whip, gloves for me… and chocolate for Scott (because I was spending so much $).  I got the saddle.  (Yay!)  I also bought breeches (which I needed) and long underwear (ditto), and do you know how hard it is to find that stuff in my size?*  However, I couldn't get anything else but the fudge for Scott.  As the weekend passed, I started to question the Monty Roberts package that had cost $99. 

I need not have questioned.  The Monty Roberts stuff not only worked magic with Cali - but it helped my writing!

Always Learning

Another great horse trainer I've mentioned before is Karen Scholl of Horsemanship for Women.  Besides her lesson on always getting do-overs, her other major piece of advice is to keep learning.  I've always embraced that, too… and sometimes learning works in mysterious ways.

Within the first few chapters of Monty Robert's book, From My Hands to Yours, he breaks down some of the most basic equine body language.  It's great for understanding Calico, but the opening scene of my current WIP is a fight between two stallions - and I was missing some key information!  Not only that, but what Roberts described would add so much more tension and chill to the scene.  It also will affect later scenes and a small bit of how the plot will unfold.

Can I tell you how happy I was to learn this?!

If you have any horses in your books, I cannot recommend this book enough.  It will give so much more depth and reality to your equine characters!

The Difference of Choice

The other part of the kit was this thing called a Dually halter, and you use it with a pair of extra-long long lines to simulate steering with reins from the much safer position of on the ground and not directly behind the horse (a frequent place when using regular-length long lines).

Have a cookie so we can see the pretty mane braid.
Normal lungeing (making your horse exercise by moving around you in a big circle) has a horse hitched to one really long line and you pushing the horse forward with a whip (no, not actually hitting the horse, but making noise and creating pressure). With Calico, about 3/4 of the way through training, she starts getting impatient and starts heading for a door (or the far end of the ring).  Her other frequent trick is to turn into me and give me those pleading, "Can we stop yet? Plee-ee-ase?" eyes. 

Without getting into a lot of detail for y'all who aren’t horse people, having the long lines on either side of this particular halter (which puts pressure on the nose based on the horse's movement) gave me more control of her head, and therefore what direction she was going.  So, if she tried to get out, the inside line created pressure on her nose and the outside line was on her butt (which prevented the "Look how fast I can move my big butt out of your pressure range!" trick).  If she returned to the circle, the pressure released.  If she turned toward me, the outside line tightened, and to release the pressure, she would have to return to the circle.

The key, of course, is that she is the one choosing the actions.  I'm not being a demanding human that gets angry and chases her for reasons she doesn't understand. 

By the end of this one session, she moved much better and answered my cues right away.

In fiction, most of us LOVE to torture characters and put them in difficult situations.  This works great when we let the characters figure out how to get out of these situations.  A lot of writers, though, will crack a whip and drive and force the characters on a plot path, though.  And it feels forced.  The characters aren't moving naturally and the writer gets frustrated and pissy because the characters just aren't cooperating!  And if you're writing non-fiction and you want readers to do something, the same mentality works.  Most people high-tail outta high-pressure sales pitches as fast as scared horse.  Design the situation so that you aren't the one applying pressure.  The pressure is there, and your writing will relieve the pressure.

For a horse, the logical decision is to not have extra pressure on their body.  It's the human's job to design things so that doing what you want becomes the horse's logical, unforced, choice.  It's the writer's job to design things so that doing what you want becomes the characters' or readers' logical, unforced, choice.


The Right Tools

The key to this lesson, of course, was having the right tools to pull it off.  I couldn't have simulated this experience with a regular halter and lunge line.  Even my bitless bridle wouldn't have worked as well.  These tools were very well engineered to do many different things - well beyond what I just described.  (Alton Brown would be proud at how multi-tasker these things are!)

A good writer also needs to have the right tools.  And the writing needs to multitask.  Strong dialogue should move the plot forward and show character development, if not also build tension, provide comic relief, or explain some aspect of the world.  One should also be able to do all that with narration, too.  Some of the best writers I know can even make their white space multitask.

Learn what tools you have available to you, and learn them well.  Some scenes need the pacing of dialogue, so knowing that tool for the right scene is critical.  Other scenes need narrative.  If you haven't taken time to learn all the ways writers get their message across, you might be missing out on some fabulous tool that's exactly what you need for a troubling scene!

So, keep learning, create situations where the logical choice (for characters, and even readers) is your desired outcome - but don't force it, and discover and utilize the right tools for the job.

Happy Writing - and Riding!


* The breeches look like jeans, which I've worn through two pairs since getting Calico.  Also, the purchase was from an independent, woman-owned business.  Despite the cost, I wasn't feeling remorse over those purchases.  ;)  Yay, Curvy Cowgirl!

  

 
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